About the movie 'March or Die'
 
 
 
 
"I think one of the principal reasons for whatever success I've had as an actor is the fact that I try to humanize the parts I play," says Terence Hill. "I try to make the character one with which the audience can identify and sympathize."

Terence Hill is playing Marco, a gypsy cat burglar who joins the French Foreign Legion in 1918 to escape the police, in the Dick Richards film 'March or Die', a Columbia Pictures release.

Produced and directed by Richards and co-produced by Jerry Bruckheimer, the multi-million-dollar production combines a romantic love story with all the adventure and action of the warfare between the Legion and the Arabs of Morocco, where most of the film was shot. Starred with Terence Hill in the epic drama are Gene Hackman, Max von Sydow and Catherine Deneuve.

Terence Hill is a superb athlete and gymnast who won championships in swimming in his younger days. But he is also a cerebral type who studied classic literature at the University of Rome.

"I've always felt that reading the classics can be helpful to an actor," he says. "There's a lot in them to be learned about characterization, for example. Thomas Mann is probably my favorite," adds Hill, who is of German-Italian descent and lived in Dresden for four years as a child. He also spent three years in Germany later, playing in adventure films.

"I think that it was then that I began to try to make the characters I played more human and down-to-earth, sort of a kid's image of what a western star should be," he says. "Not the larger-than-life heroes you so often see. In fact, I played an almost anti-hero, or, at least, an anti-myth type."

"For instance, in the first 'Trinity' picture, I'm seen eating a can of beans. The classic western hero never seems to get hungry, or if he does, he doesn't eat beans. When people see me on the street, they see me as a friend - one of them, so to speak."
Hill handled his role of Marco in 'March or Die' in much the same way. "He's obviously a brave man, involved in escapades and adventures which require courage," he points out. "But he's also a compassionate man who can fall in love with a beautiful girl, suffer punishment for helping a friend and risk his life for a cause he really has no involvement with. In addition, he has a wry sense of humor that produces natural and not forced laughter in an audience. In short, he's human."
 
Interview by Film Review 1977